Intro Scene:
Camera Technique:
- Wide Variety of Shots
- Long shots, medium shots, close-ups
- Spectrum
- Long shots associated with people going about their business
- Close-ups show more embarrassing/comedic things
- Shaving, eating, horsing around
- All occur at random
- Helps establish the setting and tone
- Not meant to be taken seriously
- Overall cluttered field of vision throughout the whole scene
- "In a less fashionable suburb of Rome"
- Unlike our other films, the scope of the setting is much smaller.
- Panning shot only of the three houses
- In previous films, panning shots were usually used to show a vast landscape.
- This slow panning is used to show the intimacy of the setting
- Pseudolus is always either central to the camera or at eye-level to the camera.
- Pseudolus moves towards the camera, rather than the camera zooming into him
- Adds to the breaking of the fourth wall.
- Pseudolus is telling the audience his story.
Editing
- Cutaways during the first and third minutes.
- Edits seem to happen at random.
- All of the cuts show random snippets of everyday Roman life.
- Scenes that occur in the film are shown at random with no context.
- Editing syncs up with the music with fitting scenes near the end.
- Emphasizes how non-sensical the rest of the film will be.
- Pseudolus
- Brighter colored clothing
- Perhaps not as flashy as the soldiers, but it is more unique.
- It makes him distinguishable among those in the crowds.
- This helps let the audience know that he is the main character (before he even declares it).
Acting
- Most over-the-top acting than any of the previous films
- Exaggerated facial expressions from Zero Mostel
- Joyful to disgust to serious, back to joyful.
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